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2023 has marked the start of a Lil Yachty renaissance.

9/15/2023

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By: Julian harvey

PictureImage from Reddit.com
The Atlanta rapper garnered a die-hard following after his 2015 debut. Songs like “One Night” and the Dram-assisted “Broccoli” exploded the then-teenage artist well past the SoundCloud trending charts and onto the cover of the 2016 XXL Magazine Freshman Class edition. 

Since then, Yachty has dropped some of his most successful records and has certainly seen his fair share of the Hot 100—mostly as a feature or alongside featured artists. He appears on songs like 2017’s “ISPY” with Kyle and again in that same year with his Quality Control labelmate Quavo on “Ice Tray.” 

I love lots of songs from this era of Yachty, and I can even get behind some of his albums as a whole. Around “Nuthin’n 2 prove,” though, I can admit I started to lose interest. It felt to me like Yachty—who had started to transition more into the fashion and internet content space—had become more of a personality than a musician. 

I was resigned to no longer expecting greatness when Yachty dropped. 

That all changed in late 2022 when a viral snippet started to trend on TikTok. I was elated to hear what I initially assumed was an unreleased song from half a decade ago that had bubbled up through the algorithm to find me. I went to SoundCloud with the feeling that I was dusting off an old record player, ready for a throwback and a little bit of nostalgia. I started to second-guess myself when I couldn't find the song no matter what I searched. It occurred to me that the song had to be an unreleased snippet of a new and upcoming Lil Yachty track—one with the unique voice and perspective that caught the attention of a younger me.

The song went on to be called “Poland” and it was everything I wanted to see from Boat: funny, catchy, clever and made complete by a Lyrical Lemonade music video. Not long after that, he seemed to catch lightning in a bottle twice when his record “Strike” caught fire in much the same way “Poland” had. The record was packaged in a small EP on its official release and that EP introduced tons of people, including myself, to a few of the standouts from Yachty’s album that had more quietly dropped earlier that year.

I write this now on the night of the official release of yet another new classic in the Lil Yachty canon: “SOLO STEPPIN CRETE BOY,” which he previewed as part of a cypher last week. The still-only 25-year-old artist seems to be hitting his second prime and I, for one, am excited to welcome this new era of Lil Boat supremacy. 

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10 Years of Party-Rocking

5/2/2021

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Image from Genius.com
My mind went frantic when I began seeing the phrase “sorry for party rocking” on memes over the past few months. It’s a smaller meme, referencing the now-iconic duo LMFAO’s 2011 record of that name, whose impact on my life as of late has been far too extensive than it should have been. These memes seem to come across less like ironic acclaim for the music they’re referencing and more like overdue appreciation from those who grew up thinking “Sexy And I Know It” was the funniest song in existence.

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Daft Punk is my Favorite Band of All Time; I’m OK with Their Breakup

3/7/2021

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BY DANIEL BERNAS

I was in the beginning stages of my EDM phase when Daft Punk premiered their iconic SNL ads signaling their return. I’d heard the name before but I’d never indulged in their discography. Still, as a 6th grader with Skrillex and Deadmau5 at the forefront of my mind, I had to know why a 15 second clip of a logo, two helmets and some music put the entire EDM community into a full stop. I was watching videos of people remixing it, reading forums of fan theories, scanning potentially leaked information and ultimately salivating over an album I had no personal reason to anticipate, but 
I was determined to board the hype train. So, I got to work with the end goal of desperately wanting this mysterious record.
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10 Songs and 8 Projects From February '21 to Check Out

3/1/2021

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Above: R&B duo VanJess, featured in this article for their new project "Homegrown", photographed by Michael Watson II.

BY MATTHEW CHAMBERS & Daniel Bernas

Just like 2020, 2021 has started out strong with the music that have been released.​ Across all genres, great things are being released - but sometimes it's too much to keep up with! That's where we come in. Here are ten of our favorite songs and eight of our favorite projects from February '21.
If there are any songs or projects you would like us to spotlight, submit them on this Google Form and we will listen to each one!

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KSLU Students On The Music That Got Them Through 2020

1/13/2021

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​For a year filled with political disagreement, the only thing that we could virtually all agree on is that 2020 was a terrible year overall, and every time we thought it was getting better, 2020 set out to prove us wrong. For a lot of us, music is often the greatest way of coping with the world at large, whether you’re using it to block out everything that’s going on, or using it to look at the bullshit dead in the eyes. This is some of the music KSLU students used in 2020 to deal with this disaster of a year.

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Reactions To: Taylor Swift's 'evermore'

12/21/2020

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by Sophie Mueller

I woke up to a text from my friend stating, “being a Swiftie is the gift that keeps on giving.” I frantically went on social media to see what the latest news was and saw that a new album was coming. I listened an hour after it was released and wrote down my initial thoughts on my iPhone notes, cuddling with my dog, and shedding a tear or two. I then listened to it one more time, typing out my notes here and adding more thoughts while each song played. After the song was done, I stopped typing and went on to the next one. Below are my emotional and musical reactions to evermore. If you read this far, thank you for your interest in the Taylor Swift fangirl in me and enjoy. ​

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KSLU Christmas '20: I’m Dreaming of a Black Christmas

12/8/2020

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By: Taylor Stalling

My absolute favorite Christmas song is the pinnacle of Black Christmas music: Donny Hathaway’s “This Christmas.” Not only does the song embody the holiday season for me personally, but I believe that it also reflects the larger cultural importance of Black Christmas music. Imani Perry, the Hughes-Rogers Professor of African-American Studies at Princeton University, puts it this way: “‘This Christmas’ by Donny Hathaway is to Christmas as ‘Before I Let Go’ is to cookouts and as ‘Lift Every Voice and Sing’ is to Martin Luther King Jr. breakfasts and HBCU graduations.” And she’s absolutely right.

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KSLU CHRISTMAS '20: Innkeeper - we stan

11/11/2020

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My exposure to Christmas music began with listening to the radio in the backseat of my Grammy’s car while we drove around and looked at Christmas lights. We would sing everything from “Silent Night” to “All I Want For Christmas is You” while touring the best displays my town had to offer. When we arrived back at her house, she would sit down at the piano and pull out sheet music to classic Christmas songs and we would sing along together. Some of my best memories from Christmas time were made at my Grammy and Papa’s house. 

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KSLU Christmas '20: A Christmas Cornucopia

11/10/2020

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by Daniel Bernas

​I will die with my opinion that secular Christmas music is a heck of a lot more exciting than religious Christmas music. Nobody wants to hear “God Rest Ye Merry Gentlemen” at an ugly sweater party, and I’d pick Bruce Springsteen singing “Santa Claus Is Coming To Town” any day over a choral arrangement of “Silent Night.” There’s just something about it that doesn’t feel... christmassy? I don’t know, but every time I defend my stance on this, Annie Lennox’ 2010 album “A Christmas Cornucopia” comes back to haunt me, as if it exists to prove me wrong.
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The sound of the future is Stuck in the past: Skrillex’s “Scary Monsters and Nice Sprites” 10 years later

10/22/2020

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by daniel bernas

There are few instances where it is nearly impossible to ignore context when listening to music. I’m not talking about the tired debate on separating the art from the artist, it’s 2020 and no one should care about that anymore. Right now, I’m talking about dubstep. Yes, that genre we all called the sound of the future that is now the sound of the past. Any pop song from 2010 to 2015 that had a dubstep drop might have been interesting at the time or even cutting edge for the radio. Now, with rare exceptions, it’s hard to listen to them without viewing these songs, with the deep, distorted bass and half-time drums, as merely following trends of the time.
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